poster - carbon stereoxide album

Poster: CarbonStereoxide Album Poster

Artist: Eraserheads

Details: CarbonStereoxide Promo Poster - given during album promo concert/tour - SM Bacoor

poster - chippy ads

Poster: Chippy

Artist: Eraserheads

Details: promo poster

poster - final set concert

Poster: Eraserheads Live! The Final Set

Artist: Eraserheads

Details: The Final Set Promo Poster - sold / part of ecobag promo of SM MOA

Year: March 7, 2009

Size:

poster - reunion concert movie

Poster: Eraserheads The Reunion Concert

Artist: Eraserheads

Details: Reunion Concert Movie Poster

Note: with sequence # at the back - sold by Odyssey Record Bars, T-Shirt also available here

Year: 2008

Size:

article - people asia magazine

Article: Where are they now? After Heads

Magazine: People Asia

Year: October 2006

Volume: No. 

Catalog: ISSN 0119-657X

Writer: Jim Ayson

Updated: 22-June-2020

After HEADS by Jim Ayson

Photography by Jorem Catilo of Spoonmarks

Where are they now?

Five years after the band breakup, the four members of the Eraserheads are still rocking the nation – as individuals.

It's a cloudy Sunday afternoon in the U.P. Diliman campus. On Sundays, the wide, tree-lined avenues are closed to car traffic. A lazy calm pervades, and the roads are filled with joggers, bikers, leaves falling, families strolling, and lovers walking hand in hand, soaking it all up.

On the steps of one of the campus buildings a magazine photo shoot is in progress. The subjects are Raimund Marasigan and Buddy Zabala, one-half of the legendary band known as the Eraserheads. The band is probably as closely associated with the campus as the Oblation. And on this day, the two men - both now in their mid 30s, partners and kids in tow - look right at home, revisiting the place where it all began. Old memories are stirred up, re-served hot and fresh.

"Raimund and I were always roommates," Buddy tells us. "Over at Molave Hall. That's where we met. Man, that was back in 1988."

Even today the two remain close. They still collaborate on album production work, they remain bandmates in a group called Cambio, and their young families share out-of-town family vacations on weekends off.

Raimund looks up at the facade of the Engineering building and reminisces about a memorable gig the Eraserheads played here in 1990 with The Dawn, then the biggest band in the land. The concert was called "Maskipops" and he remembers it was an especially wet and stormy evening.

"It was really The Dawn's gig. But we got to play. We borrowed some equipment from a band rehearsal studio at the alumni center, and we rushed it to the gig in the middle of this really strong rainstorm. And we were all wearing matching red sweatshirts. That was our costume!”

Recalling their gawky beginnings. Raimund still sounded starstruck. "I always wanted to join The Dawn," he says wistfully.

But in 2005, it was Buddy who got the invitation to join The Dawn as their current bassist. He gloats, and kids Raimund about it. "See, I told you that you should have learned how to play bass.”

Glory Days: 1993-2001

OPM historians today will tell you that three influential bands helped define what we refer to as "Pinoy Rock" In the ‘70s the band was Juan de la Cruz. During the '80s, it was The Dawn. And you'll find little disagreement that the '90s were shaped by the rise of the Eraserheads.

Vocalist/songwriter Ely Buendia, drummer Raimund Marasigan, bassist Buddy Zabala, and lead guitarist Marcus Adoro met as students at UP and eventually formed a band named after a film none of them had seen - Eraserhead by quirky film director David Lynch. Though a cassette demo called "Pop-U" surfaced as far back as 1989, the band hit its stride after signing up with BMG Records. Their debut album UltraElectroMagneticPop, released in 1993, hit Philippine radio with a bang, with hits like "Pare Ko" and "Toyang." From then on it was a rollercoaster ride, and the band released eight albums and two EPs before the ride ground to a screeching halt in 2001 with the sudden departure of frontman Ely Buendia.

The remaining members tried to soldier on and honor contractual commitments, recruiting female vocalist Kris Gorra (from the femme trio Fatal Posporos) to front the band. Occasionally Ebe Dancel (of Sugar Free) would guest on gigs. But even this edition wasn't fated to last. The band continued its slow fade out until it finally called it quits in 2002 when guitarist Marcus Adoro left the band to concentrate on the more fulfilling pasttime of surfing on the waves of La Union.

Fast forward to 2006, and it's clear that five years after the big break-up. The Eraserheads are as popular - if not more so - than they ever were during their heyday. The band is credited for ushering the Pinoy band explosion of the early '90s. Now that bands are once again white hot, the “E-Heads" are being re-discovered and practically revered as deities.

A tribute album by various artists (Ultraelectromagneticjam) was flung into the market last year and dominated the sales charts for months. The band's songs remain the soundtrack of the lives of the '90s generation as they grow up and creep towards their late twenties and early thirties. And even a new generation, too young to remember seeing the band in their prime, is tuning in to their music.

With all the reverence heaped on them, you'd think the Eraserheads had gone down in a blaze of glory, Ely Buendia has been quoted that it was too soon for an E-heads tribute album as they were far from being dead.

And he'd be right. Because since 2001, each of the four ex-Eraserheads has continued to make music, and are hard at work helping to define the music of the first decade of the 21th century. The story is far from over.

HOW ARE EACH OF THEM DOING?

RAYMUND MARASIGAN

As the drummer of the band, Raimund was the guy at the back of the stage, not often seen or noticed. But in the past five years, he’s probably been the most visible, as he's stepped out from behind the drum kit to act as a renaissance man of sorts, acting as guitarist, keyboard player, producer and frontman for a number of musical projects.

The most successful of this is Sandwich, a hard rocking quintet formed back in 1999, now riding a new wave of popularity in the wake of their hit album Five on the Floor and their infectious hit single "Sugod." Seven years later, Raimund now acts as band frontman, a role he had to assume with the departure of Marc Abaya (who now spends most of his time as an MTV VJ) a couple of years ago.

Raimund commands the stage with all the flamboyant authority and swagger of legendary rock frontmen like Mick Jagger and Freddie Mercury. Raimund credits watching local rock singers like Binky Lampano (Dean's December), Jack Sikat (Ethnic Faces) and Pepe Smith (Juan de la Cruz) as inspirations for his frontman persona.

And then there are his other bands. In Cambio, he plays drums in a rhythm section that includes Buddy Zabala on bass. With Pedicab, he plays synthesizer. And as his electronica persona Squid 9, he's a deft remixer, a veritable Fat Boy Slim for the Pinoy rock set.

Apart from his bands, Raimund is highly respected as an award winning record producer, often working with Buddy as his production partner. If that wasn't enough, he also creates jingles in his home studio, e-mailing the finished works to his clients.

It sounds like a remarkably full plate for any mere mortal, but Raimund claims that he's actually cut back on activities this year, to devote more quality time for his family.

“I’ve got more free time now. I just bought this BMX bike." he says with all the enthusiasm of a teenager. "And I just got into skimboarding while in Boracay for a gig. And every other week we go off to the beach for family vacations."

Family in this case consists of his partner Myrene Academia (a musician herself who plays bass for two bands, Sandwich and Imago) and their precocious six-year old daughter Atari, now a first grader. And yes, she was named after that pioneering video game company. Raimund’s little clan bonds with other "rock families" on their outings. There's Buddy's family, and the wives and kids of his band mates and other peers in the rock scene.

After years of juggling musical projects with aplomb, Raimund considers Atari as his "most important project ever.” And as we see father and daughter having fun riding their bikes down the UP campus roads, we agree that while it's not the typical rock star image his fans might cultivate in their heads, it's time well spent.

Fast forward to 2006, and it’s clear that five years after the big break-up, the Eraserheads are as popular - if not more so - than they ever were during their heyday. The band is credited for ushering the Pinoy band explosion of the early ‘90s. Now that bands are once again white hot, the "E-Heads" are being re-discovered and practically revered as deities.

BUDDY ZABALA

While Raimund tries to cut down on his workload, Buddy Zabala has ratcheted his up this year. Apart for working by day for busy production house Roadrunner Network, Buddy has been polishing his producer hat by working on back-to-back album production work for a number of hot band albums. This year alone he has produced the albums of Sandwich, Moonstar 88, Imago, Itchyworms, Cambio and co-produced the new Dawn album, where he also plays bass as the newest member of the band.

It's a feather on his cap that after playing bass for one of the most influential bands of the ‘90s, Buddy ended up playing for the present version of the hottest band of the '80s. The Dawn's previous bass player Mon Legaspi suddenly quit, leaving for greener pastures in Hong Kong. Guitarist Francis lost no time in tapping Buddy as replacement, and a few text messages later. Buddy got the gig. In December 2005, he became the band’s latest member.

It's a good fit. People say Buddy’s melodic approach to bass playing is closer to Carlos Balcells, the original bassist, than Mon's busy style. As for preparing for the gig. Buddy theorizes he's been practicing for the slot for years. During sound check even while with the Eraserheads, he and Raimund would warm up with The Dawn riffs as a break from playing same E-Heads songs every night.

Buddy's involvement with The Dawn has also led to a film role. As with all of members of the band, Buddy did a bit of acting (playing himself) in the indie film Tulad Ng Dati, a fictional film about a real life band. The film emerged with multiple awards in the Cinemalaya film festival, including Best Picture.

Apart from the Dawn, Buddy still finds time to play bass for Cambio, his band with Raimund Marasigan, Kris Gorra, Ebe Dancel and Diego Mapa. And quite recently, he played bass and Raimund played drums for the debut solo album of the legendary Dong Abay (of Yano fame). It was produced by Robin Rivera, who produced all the Eraserheads albums. Buddy considers him as his mentor.

Like Raimund, family plays an important role in Buddy's life. Some years back he finally married his long-time girlfriend Earnest (who spent some time herself as one of the Eraserheads' managers). They have a five-year old daughter named Veda, who Buddy says is “my biggest fan. She goes off screaming ‘Papa! Papa! whenever she sees me play."

MARCUS ADORO

It always seemed that Marcus Adoro followed his own muse. When the Eraserheads wound down, "his first instinct was to go surfing,” Buddy reveals. And so Marcus went off to La Union to find the perfect wave, and never looked back.

"He just comes down to Manila when there are no waves," continues Buddy. "While over here, it's gig, gig, gig. Then he gets word that the waves are back, and back he goes.”

“He just shows up suddenly,” cracks Raimund. "We see him more often during our kids' birthday parties and baptisms."

Tracking down the man through e-mail, we find him oddly peaceful and content with his choices. "Surfing isn't my profession,” he writes. "I just enjoy being out there and the lifestyle.”

He's even good enough to teach the sport, though his choice of students has been rather selective.

"I teach girls with nice asses, but then again who wouldn't," he lets on. "I only do it once in a while though. Nakakapagod pala (It's tiring)."

All that surfing has turned out to be a motherlode of musical inspiration for Marcus. While in La Union, he cooked up KamonKamon, a combination of a comic book and soundtrack album about the adventures of a surf-happy canine. Marcus claims that BMG records bought the idea back in 2002, but creative differences has meant the project remained in limbo for the time being. Marcus reveals the project will see the light or day as an online work, and will be made available over a web blog he's setting up.

A second project was a "Pinoy surfing album" involving a different character by the name of Surfernando. Three years of sun and surf led to a stockpile of songs about life on the waves. A Surfernando sampler was released independently, titled "Belma en Luis.” Eventually, Marcus hopes to get these songs recorded on a major label, and he's currently sniffing around for a record deal, "and a manager who can dig me.”

In the meantime, club goers who are lucky enough to encounter Marcus on stage are treated to a bewildering variety of band names he's cooked up through the years. Apart from Surfernando, there are The Flaming Katols, The Gumamela Band, The Mamones, and Markus Regime. Sometimes. It’s just Marcus on stage with an acoustic guitar. On other occasions, he's backed up by a full band.

When PEOPLE Asia encountered him at a solo gig at the legendary rock dive Mayrics, he was billed under the intriguing name Markus Highway.

“I’m good with wordplay.  I like changing names because it's an old rock n roll tradition," Marcus explains, "All the old traveling bluesmen used different aliases, and my favorite cool bands do it."

ELY BUENDIA

The last piece of the Eraserheads puzzle remains to be the enigmatic Ely Buendia. While Raimund, Buddy, and Marcus still get together for projects and good times, the band's old frontman and principal songwriter remains curiously estranged from his former bandmates. They don't talk to him. He doesn't talk to them.

Ely has also been known to draw a curtain around his former life as an E-head. Interviewers are routinely advised certain rules of the game, which is not to bring up questions about the Eraserheads, their life and the breakup.

The self-imposed isolation hasn't affected his musical creativity one bit. Right after leaving the Eraserheads, Ely put up a band aptly named The Mongols, a rock quartet that produced the indie album Buddha's Pest. While critically acclaimed, the album received poor distribution under Viva Records. The lackluster support was a far cry from the major label push he received with the Eraserheads.

Better fortune lay ahead by reuniting with his old label BMG, and regrouping his band under a new name, Pupil. Their debut album, Beautiful Machines was accompanied by a major marketing push and videos with better budgets. It also included contributions from his omnipresent girlfriend (and band manager) Diane Ventura, who writes and sings on a track of the album.

Coincidentally, the band’s album was released roughly around the same time as BMG's Eraserheads tribute project, UltraElectroMagneticJam, a top selling album, with most of the songs written by Buendia. In past interviews, Ely was pretty vocal that he felt it was premature to be given a "tribute" as his career was far from over.

While he prefers to keep the past at bay, the tribute album does guarantee him a share of the publishing royalties. And based on the scuttlebutt, BMG is planning a second volume of Eraserhead tributes.

As with his former bandmates, the theme of family and children appears to have lent a greater sense of maturity to his art. He has a young son named Eon with Diane Ventura, and a teenage daughter named Una from his first marriage.

"AS FAR AS REUNIONS GO, IT'S A RELATIONSHIP THING. IT NEEDS TIME FOR THINGS TO BOIL OVER. IT NEEDS TIME FOR WORK THINGS OUT. IT'S NOTHING TO BE RUSHED."

Reunion?

No article about the past and the present lives of the Eraserheads can be complete without some speculation of the future. Fans continue to worship their music. Can they ever hope that the guys let bygones be bygones, and that a reunion will take place sometime? So that fans can see the band together for even one last time?

"Not anytime soon,” muses Buddy. "As far as reunions go, it's a relationship thing. It needs time for things to boil over. It needs time for work things out. It's nothing to be rushed."

But they all acknowledge the music will never die. After all, all the bands associated with the former E-heads do play Eraserhead covers. Pupil, Sandwich, Cambio, and even The Dawn, have been known to spring an old chestnut on an unsuspecting crowd. Like "Magasin,” “Alapaap,” or "Ang Huling El Bimbo."

"As long as we can remember the chords, we can still play the old songs,” says Buddy.

On that level at least, the fans can be thankful, even as they continue to hope. •

article - myx magazine april - may 2009

Article: BRAVO, ERASERHEADS!

Magazine: Myx

Year: April-May 2009

Volume: No. 

Catalog: 

Writer: Klara Iskra Añonuevo

 Updated 16-Jan-2020

BRAVO, ERASERHEADS!

Pinoy rock’s fab four shares the stage one more time to mount one of the greatest shows this side of earth, Klara Iskra Añonuevo reports

This time, without the drama that plagued their last concert, the Eraserheads' Final Set pushed through on March 7 at the Mall of Asia grounds and was finished without a hitch.

Cheering ensued when they started their first song, Magasin, and already, everyone was put in high spirits, especially after Ely Buendia, the band's vocalist, sang a revised lyric: "Eh medyo pangit ka pa no'n...HANGGANG NGAYON!”

After five songs, the band surprised everyone when Marcus Adoro, the band's guitarist, after introducing the next song as, “gawa ni Ely," started to sing Huwag Mo Nang Itanong, with a reggae twist and punctuating each chorus with his own lyric: “Di ko sasabihin sa 'yo!"

Right after that, it was Raymund's turn, as he sang, very enthusiastically, Slo Mo, Alkohol (he asked the rest of the band to start all over again, telling the audience, "Hindi kasi kayo gumagalaw, eh!''), and Insomya. Noticing that only Buddy Zabala, the band's bassist, was the only one who had not sang lead yet, the crowd started cheering, "BUDDY! BUDDY! BUDDY!" and at some point in the concert, he replied by singing, "They come to me for donuts," the first line of The Fabulous Baker Boy, a song from the album Fruitcake, which Buddy sang.

The second set was opened with Julie Tearjerky, and this time, the audience is given a different audio-visual treat with the band playing acoustic and in a more laid-back manner as they sat close to each other. And of course, the whole audience sang along to one of their biggest hits, Pare Ko, with everyone singing extra loud to, yes, you guessed it, "T*NG INA!" They ended the second set with Overdrive.

The band opened the third set with Superproxy, a song that was supposed to be performed with Francis Magalona, who contributed the rap portion of the song, which Ely rapped that night. The band even got the crowd to cheer for the Master Rapper: "Francis! Francis! Francis!" After two more songs, the band even played the chorus of one of Francis M's biggest hits, Kaleidoscope World, while the crowd sang along.

Next, they performed Ang Huling El Bimbo, which was supposed to be the last song of the night. During the song, Ely put on fire the piano seen on the cover of Sticker Happy, which had spent most of its life in a corner of 70's Bistro in Quezon City. Towards the end of the song, as fireworks were being shot just behind the Bronze section, the people from the VIP section were showered with lots and lots of confetti.

Throughout the whole concert, at random intervals, the audience again kept cheering for a "GROUP HUG!" (or, if you ask Marcus, ''BRUHA!"). And while Ely asked for a condition that was never fulfilled ("Kayo muna!"), the audience got to witness the closest they could get to see a group hug: Ely, Raymund, Marcus and Buddy (along with Jazz), with arms over each others’ shoulders, taking a bow.

But then, minutes after the five left the stage, the band performed an unplanned encore, with Ely asking the audience, "Kaya niyo pa ba? Okay, three for the road!" and the band proceeded to play Ligaya, Sembreak (where Ely messed up the lyrics, still singing even though the rest of the band was done, asking, "Ah, tapos na ba?") and finally really ending the night with Toyang, where Ely went down to the front of the VIP audience and let some of the people sing.

Ely's last words for the concert was, "We are the Eraserheads!" even though undoubtedly nobody that night needed to be reminded of who they were. Seven years after the foursome played their last gig, the night of March 7, 2009 provided the closure that neither the break-up nor the first reunion concert failed to bring.

"We are the Eraserheads."

And with that, the band whose songs became the soundtrack of a generation of Filipinos bid farewell.

THE FINAL SET LIST

FIRST SET:

MAGASIN

WALANG NAGBAGO

MALING AKALA

MASKARA

POORMAN'S GRAVE

WAITING FOR THE BUS

HUWAG MO NANG ITANONG

SLOW MO

ALKOHOL

INSOMYA

TORPEDO

SECOND SET:

JULIE TEARJERKY

TIKMAN

WISHING WELLS

FINE TIME

PARE KO

KAILAN

BACK2ME

TRIP TO JERUSALEM

SPOLIARIUM

OVERDRIVE

THIRD SET:

SUPERPROXY

MINSAN

ALAPAAP

KALEIDOSCOPE WORLD (CHORUS)

ANG HULING EL BIMBO

ENCORE:

LIGAYA

SEMBREAK

TOYANG

song hits - hot n cool (3)

Item: Hot 'N Cool Song Hits

Artist Eraserheads and Parokya ni Edgar

Issue No.: 3rd

Series: Collectors Edition

song hits - hot n cool (2)

Item: Hot 'N Cool Song Hits

Artist Eraserheads and Parokya ni Edgar

Issue No.: 2nd

Series: Collectors Edition

song hits - hot n cool (1)

Item: Hot 'N Cool Song Hits

Artist Eraserheads and Parokya ni Edgar

Issue No.: 1st

Series: Collectors Edition

article - pulp issue # 53

Article: A Stab In The Back

Magazine: Pulp

Year: January-February 2005

Volume: No. 53

Catalog: 

Writer: 

article - pulp issue # 28

Article: Quo Vadis, Eraserheads?

Magazine: Pulp

Year: October 2002

Volume: No. 28

Catalog: 

Writer: Claire Agbayani

article - pulp issue # 23

Article: The E-heads Are Dead

Magazine: Pulp

Year: May 2002

Volume: No. 23

Catalog: 

Writer: Banana

Updated: 22-June-2020

THE E-HEADS ARE DEAD

We were expecting glittering marching band outfits and long languid seafaring trips on yellow submarines, smashed, as it were, with a little help from Lucy. But sadly, after a decade of Beatlemania Pinoy-style, one of the most enduring and hardworking pop acts of our time has dissolved, fizzled out, and, indeed, been swallowed by time.

Having slowly fallen deeper into sonic obscurity after the release of Sticker Happy, PULP learned of the band's dissolution when our organizers began the arduous task of putting together the PULP SUMMER SLAM II. The band's management informed us that their singer would be in the United States, presumably for a vacation, failing to mention that it was in fact a permanent one.

Buendia's departure and the reasons surrounding his decision to leave the band have, of course, been shrouded in rumors and by the reticence of others involved. But text spreads information like a forest fire: ELY QUITS EHEADS. Sad, unfortunate news really, if, like many of the band's followers, you first discovered wood with a girl named Toyang or the joys of barkada beer-bonding with "Pare Ko." "Everyone in the music industry knows," manager Sammy Samaniego says. "But Ely left the band for reasons only known to him."

Industry pundits wonder if the 'Heads can go on without the voice and, more importantly, its chief lyricist, the one generally acknowledged as the "soul" of the band. Insiders compare Buendia's departure to Lennon's decision to leave The Beatles, citing a scuffle with management and a scheming girlfriend. If 2000's Wanted: Bedspacer was a portent of things to come, then this new development shouldn't even be a surprise. Ely supposedly had a fight with Samaniego and threw in the proverbial towel. A shady Yoko Ono subplot also began spinning to reveal that his girlfriend had supposedly "goaded" the frontman into the decision, giving the green light to the prospects of a permanent solo career or even the choice of putting up his own band. "Someone should remind him what of happened to John Lennon," came another text message. Or Wency Cornejo, for that matter.

As the gods of rock n' roll would have it, Wanted: Bedspacer only received a jittery fraction of success of his works with the Eraserheads, which prompts the question of how far he can torpedo his way to a spin-off success. In the same breath, can the remaining three 'Heads hold the fort even as outsiders suspect a looming custody battle for the name? Buddy, Marcus and Raimund are now left to El Bimbo their way out of the band's last few engagements, which, according to an industry insider, were well-received regardless. But the 'Heads are moving on. "We already have a new singer," Samaniego confirmed in early April. They later launch Kris Gorra (the female singer of the now-disbanded Fatal Posporos) at an April 19 show to mixed reactions, a move that surprised even the most seasoned industry insiders. So, is the Eraserheads really dead? For now it seems they have bought themselves some time.

Banana

collectibles - promotional mask - carbon stereoxide album (buddy)

Item: carbon stereoxide album mask

Album: carbon stereoxide

Artist: Eraserheads

Note: Promotional mask given to carbon stereoxide album cassette and cd buyers at SM Record Bars

collectibles - promotional mask - carbon stereoxide album (marcus)

Item: carbon stereoxide album mask

Album: carbon stereoxide

Artist: Eraserheads

Note: Promotional mask given to carbon stereoxide album cassette and cd buyers at SM Record Bars

collectibles - promotional mask - carbon stereoxide album (raims)

Item: carbon stereoxide album mask

Album: carbon stereoxide

Artist: Eraserheads

Note: Promotional mask given to carbon stereoxide album cassette and cd buyers at SM Record Bars

collectibles - promotional mask - carbon stereoxide album (ely)

Item: carbon stereoxide album mask

Album: carbon stereoxide

Artist: Eraserheads

Note: Promotional mask given to carbon stereoxide album cassette and cd buyers at SM Record Bars

article - pulp issue # 1

Article: The Eraserheads

Magazine: Pulp

Year: December 1999

Volume: No. 1

Catalog: 

Writer: Jennifer E. Adriano (photographs by dulzzi gutierrez)

Updated 14-Jan-2020

The Eraserheads

They started out as flukes who bucked the trend of the Philippine recording industry's sanitized stereotypes and ended up the biggest band of the decade - and perhaps, of their generation. Originality, tongue-in-cheek songwriting wit, and a zest for the unpredictable have made the Eraserheads the definitive breakthrough Pinoy alternative act, shattering the mellow mode that formerly reigned as the undisputed route to record sales and paving the way for latter-day successes like Parokya ni Edgar.

It all began in 1989 at a University of the Philippines dormitory with four college blokes - Ely Buendia, Buddy Zabala, Raymund Marasigan, and Marcus Adoro - and a bunch of secondhand instruments. They became a band and took their name from a David Lynch movie they wouldn't see until years later.

The Eraserheads initially did the rounds of alternative joints doing covers of bands like REM and The Cure. Realizing that they didn't do too well singing other people's songs, they tried their hand at writing. "After all, if we committed a mistake [performing], at least no one would recognize it because they wouldn't know the song," says Ely. Live performances featuring their punchy, original lyrics gained them a cult following in school, and news of their talent spread beyond campus. Next were the requisite rounds of radio stations and record companies, but the Eraserheads' "novelty" songs were rejected at every turn.

They released an independently produced cassette called Pop-U in 1991, in reaction to the "not pop enough" comment of recording gurus who had dissed their demos. Soon afterwards, BMG Records got hold of Pop-U and signed the band on for a three-year contract. By 1993, the Eraserheads released ultraelectromagneticpop!, titled in homage to the mighty Voltes V weapon.

Their multi-platinum debut album included now legendary hits like "Ligaya," "Toyang," and the beer-bottle ballad "Pare Ko" with its notorious sprinkling of cuss words.

Before the Heads could be labeled a flash-in-the-pan-one album-wonder, they released an equally successful follow-up, Circus, a year later. Several other hit-producing albums came in succession, along with numerous NU Rock, Awit and Katha music awards, and the 1997 International Viewer's Choice Award for MTV Asia for the video of "Ang Huling EL Bimbo," off the group's third album, Cutterpillow.

The eclectic Heads have dabbled in other creative ventures, from penning a commercial jingle for a hamburger chain ("Halika Tikman Ang Langit," included in their EP Bananatype) to Fruitcake the book, edited by one-time Heads manager Jessica Zafra, containing the "one thousand and one adventures" behind the songs contained in their 1996 Christmas album of the same title. "Right now we're working on a movie. It'll be a comedic effort," says Buddy. Before one can bring up their what-were-they-thinking? cameo in the forgettable Joey de Leon-starrer of yore, Run, Barbi Run, Ely interjects, "We can’t act, so our movie will focus on our music."

Another thing on the Heads' agenda is the logical bid for international stardom. The first step was Aloha Milkyway, released last year in Malaysia, Indonesia, Thailand and Singapore, including nine remastered and re-recorded chart-topping songs from previous albums, plus new releases "Julie Tearjerky" and "Tamagotchi Baby." The group is currently promoting Natin99, their latest and first all-Tagalog album, released last May with the carrier single "Maselang Bahaghari.”

Perhaps one of the Eraserheads' most sterling achievements is the fact that all original members remain intact after 10 years as a band and seven years in the sink-or-swim mainstream music industry. "Other bands that came out around the same time as we did, like The Youth, are gone now, probably because they didn't really enjoy playing together in the first place," reflects Raymund. "Some just got bored, others hit a brick wall." Buddy continues, "We've been through the worst periods when there was no money, no shows, no fans. Everything else is relatively easy." Doesn't it ever become, well, like work? "It is a job," Ely pipes in. "Why not make it fun?"

"We still trip out when we hear that younger kids start bands, because of us. Even if their sound is different from ours, it's great knowing we inspire that kind of thing," says Raymond. Meanwhile, as teens in garages over the archipelago continue to work their amps in the hopes of becoming the next Eraserheads, the group that started it all still hasn't quite come to term with fame. "It remains a double-edged sword," Raymond accedes. But there's more from where that came from in store for the Heads, whose musical evolution is still, after all, a work in progress. In the words of Buddy, with a smile: "I guess it still isn't as good as it gets-not yet." - Jennifer E. Adriano

Photographs by Dulzzi Gutierrez